By 50 minutes, Éliane Reynold de Seresin

ISBN-10: 2806261619

ISBN-13: 9782806261618

Décryptez l’art d'Andrea Mantegna en moins d’une heure !

Représentant majeur du Quattrocento, Andrea Mantegna est sollicité par les plus grands de son époque, mais c’est à l’illustre famille Gonzague qu’il finit par s’attacher. C’est à leur gloire qu’il réalisera l’un de ses plus grands chefs-d’œuvre, los angeles Camera picta. Combinant l'inspiration vintage aux avancées majeures de son temps et poussant toujours plus loin sa recherche de réalisme, Mantegna surprend par sa modernité.

Ce livre vous permettra d’en savoir plus sur :
- Le contexte politique et culturel dans lequel Andrea Mantegna s’inscrit
- l. a. vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Mantegna
- Son effect dans l’histoire de l’art

Le mot de l’éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Eliane Reynold de Seresin se penche sur le destin d'Andrea Mantegna. Après un portrait complet de l'homme, c'est à l'artiste que l'auteure s'intéresse. Son goût de l'antique, l. a. précision de son trait, son obsession du détail, ses vues en contre-plongée... tous les ingrédients de son artwork sont analysés en détail, photographs à l'appui. Dans ce numéro, à côté de los angeles célèbre Chambre des époux, nous analysons également le Saint Sébastien du Louvre et los angeles Lamentation sur le Christ mort, deux œuvres particulièrement emblématiques du peintre. » Stéphanie Felten

À PROPOS DE los angeles SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Extra resources for Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49)

Example text

In doing so, it calls attention to the ways in which even the same works from the past are never quite the same in the new, Meiji context of the exhibitions. ” The nihonga category consolidated a variety of painting modes under a single rubric in order to posit them as viable alternatives to “Western painting,” yet over time, the category also fundamentally changed viewers’ understanding of the works. Up to this point, I have been advocating for the malleability of new categories and viewing contexts; at the same time, I maintain that such categories and frameworks fundamentally changed viewers’ experience of the work.

89 In another print (fig. 10 Art Gallery at the 1877 vitrine with the shibi ornament on the gate of the shrine where the exhibition is be- Domestic Industrial Exhibition. ing held shows a pointed awareness both of the power of the exhibition site and of Photograph. Amagasaki Board its constructedness as a spectacle of progress under the Meiji government. of Education, Hyōgo Prefecture. 11 Hiroshige III, Interior Display at the Art Gallery, Domestic Industrial Exhibition, Ueno, Tokyo. From the late 1870s to the early 1880s, Tokyo’s government-­sponsored exhibitions acquired a new site, the recently inaugurated Ueno Park, where Western-­style buildings were constructed.

25 Painters in the service of the shogunate and daimyo, by contrast, had a more conservative stylistic mandate and would have been discouraged from sharing their works with outside viewers; their paintings, like the affairs of the ruling elites and their families, were considered private matters. This connection between the diversification of the art market and the growth of a public sphere for viewing, evaluating, and purchasing painting in the eighteenth century onward is foretold in the fame of Hanabusa Itchō (1652–­1724) and his successors.

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Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49) by 50 minutes, Éliane Reynold de Seresin

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